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“That might be on purpose,” Djawadi chuckled elusively. It evokes a resigned sort of longing or yearning that will not be satisfied, that has no resolution. Reminding brothel customers that there is something they still can’t have would be bad for business, no? And regardless of its lyrics, the instrumental version is melancholy.
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Sure, Nine Inch Nails makes a good choice for orgies, strip clubs, and lap dances, but wouldn’t the more obvious choice for debauchery in a theme-park setting be NIN’s “Closer”? More recognizable, more libidinous, more raw? More of a signal that you could do whatever or whomever you want? That would be the case, if the songs were meant for the guests. “You can kind of picture a string quartet being in the room somewhere, performing this song, in this setting, right?” show composer Ramin Djawadi said. That’s what makes the use of Nine Inch Nails’ “ Something I Can Never Have” in an orgy scene so interesting.Īs our characters venture away from Sweetwater, they encounter a new town called Pariah. And the selections sometime seem designed to suggest something to the hosts, more than the guests - something that might wake them up or tell them a hidden truth about their situation. But if that were solely the case, you would expect more hits - more top 40 singles from mainstream artists, less deep album cuts from alternative bands. They provide a greatest-hits soundtrack for the guests, perhaps the equivalent of elevator Muzak in this futuristic world. The music selections seem to have dual purposes. Whoever is planning the music to play within the theme park of Westworld either has an agenda, or a wicked sense of humor. Following each week’s episode of Westworld, show composer Ramin Djawadi (Game of Thrones ) will be Vulture’s guide to the music.